The talk

Nana: Why are you reading?

Parain : It's my job.

Nana: It's odd. Suddenly I don't know what to say; it often happens to me. I know what I want to say. I think about whether it is what I mean. But when the moment comes to speak, I can't say it.

Parain: Yes, of course. You've read the Three Musketeers?

Nana: I saw the film, why?

Parain: Because in it, Porthos, this is really in Twenty Years Later, Porthos, all strong, a little stupid, he has never thought in his life. He has to place a bomb in the cellar to blow it up. He does it. He places the bomb, lights the fuse, then he runs away of course. But suddenly he begins to think. What about? How is it possible to put one foot before the other? You must have thought about that too. So he stops running. He can't go on. He can't move forward. The bomb explodes, the cellar fell on him. He holds it up with his shoulder. But after a day, or maybe two, he is crushed to death. The first time he thought, it killed him.

Nana: Why did you tell me that story?

Parain : No reason, just to talk.

Nana: Why must one always talk? Often one shouldn't talk, but live in silence. The more one talks, the less words mean.

Parain: Perhaps. But can one?

Nana: I don't know.

Parain: I've found that we can't live without talking.

Nana: I'd like to live without talking.

Parain: Yes, it would be nice, wouldn't it? Like loving one another more. But it isn't possible.

Nana: But why? Words should express just what one wants to say. Do they betray us?

Parain: But we betray them, too. One should be able to express oneself. It has been done in writing. Think: someone like Plato, can still be understood - he can. Yet he wrote in Greek, 2,500 years ago. No one really know the language, at least not exactly. Yet something get through, so we should be able to express ourselves. And we must.

Nana: Why must we? To understand each other?

Parain: We must think, and for thoughts, we need words. There's no other way to think. To communicate, one must talk, that is our life.

Nana: Yes, but it is very difficult. I think life should be easy. Your talk of the Three Musketeers may make a good story, but it's terrible.

Parain: Yes, but it's a pointer. I believe, one learns to talk well only when one has renounced life for a time. That's the price.

Nana: So, to speak is fatal?

Parain: Speaking is almost a resurrection in relation to life. Speech is another life from when one does not speak. So, to live in speech, one must pass through the death of life without speech. I may not be putting it clearly, but there's a kind of ascetic rule that stops one from taking well until one sees life with detachment.

Nana: But one can't live everyday life with... I don't know

Parain: With detachment. We balance, that's why we pass from silence to words. We swing between the two because it's the movement of life. From everyday life one rises to a life we call superior, the thinking life. But this life presupposes one has killed the everyday too elementary life.

Nana: Then thinking and talking are the same thing?

Parain: So I believe. Plato said so, it's an old idea. One cannot distinguish the thought from the words that express it. An instant of thought can only be grasped through words.

Nana: So one must talk and risk lying?

Parain: Lies too, are part of our quest. Errors and lies are very similar.

Nana: (Tries to interrupt)

Parain: I don't mean ordinary lies, like I promise to come tomorrow, but I don't, as I didn't want to. You see, those are ploys. But a subtle lie is a little different from an error. One searches and can't find the right word. That's why you didn't know what to say. You were afraid of not finding the right word, that's the explanation.

Nana: How can one be sure of having found the right word?

Parain: One must work. It needs an effort. One must speak in a way that is right, doesn't hurt, says what has to be said, does what has to be done, without hurting or bruising.

Nana: One must try to be in good faith. Someone told me: "There is truth in everything, even in error."

Parain: That's true. France didn't see it in the seventeenth century. They thought one could avoid error, and what's more, that one can live directly in the truth. It isn't possible. Hence Kant, Hegel, Germany philosophy: to bring us back to life, and makes us see that we must pass through error to arrive at the truth.

Nana: What do you think about love?

Parain: The body had to come into it. Leibnitz introduced the contingent. Contingent truths and necessary truths make up life. German philosophy showed us that in life, one thinks with the servitudes and errors of life. One must manage with that, that's true.

Nana: Shouldn't love be the only truth?

Parain: For that, love would always have to be true. Do you know anyone who knows at once what he loves? No. When you are twenty you don't know. All you know are bits and pieces, you make arbitrary choices. Your "I love" is an impure affair. But to completely at one with what you love you need maturity. That means searching, that is the truth of life. That's why love is a solution, on condition that it is true.


字幕来源: https://www.youtube.com/watch?v=VUp_du3awI0

与Nana交谈的学者( zhě)为法国哲学家 Brice Parain (Courcelles-sous-Jouarre, 10 March 1897 - 20 March 1971 ) https://en.wikipedia.org/wiki/Brice_Parain

科波拉《大都会》北美9月27日( rì)上映 狮门发行这部投资( zī)1.2亿美元电影

看TV讯《教父》导演科波( bō)拉新片《大都会》终于找到( dào)了北美发行公司,狮门将( jiāng)负责发行这部投资1.2亿美( měi)元的大片,9月27日在北美上( shàng)映。影片今年5月亮相戛纳( nà)电影节,不过只收获52%的烂( làn)番茄新鲜度。 影片在戛纳( nà)

93.98K
2周前

很不幸,这是一个充斥着( zhe)“继姐”的时代

《丑陋的继姐》之所以是一( yī)部恐怖片,在于它把原版( bǎn)《灰姑娘》剧情里两个继姐( jiě)为了穿进水晶鞋而「削足( zú)适履」的过程给巨细靡遗( yí)地拍摄下来了。 很减肥,真( zhēn)的。 那是一种生理上的恐( kǒng)怖,就像我小时候看江姐( jiě)的故事,看到敌人把竹签( qiān)生生地扎进她的指甲里( lǐ)的描述时产生的战栗感( gǎn),手指甲都...

84.20K
2周前

《塞琳娜和朱莉出航记》中( zhōng)的幻与真

文/故城 《塞琳娜和朱莉出( chū)航记》,不出意料,带我进入( rù)了妙曼的影像旅程,那奇( qí)妙的幻觉印象长久的无( wú)法从大脑中消失,光影的( de)颜色似乎沉淀在记忆的( de)纹理中,成为一段令人惊( jīng)慌而迷醉的幻觉。一部电( diàn)影,诱惑得人彻夜无眠,便( biàn)已然成功。我说它“妙曼”,源( yuán)自于一种奇妙的观影体( tǐ)验,揣...

23.55K
21小时前

《封神第一部》发布美术场( chǎng)景特辑,乌尔善:这种美只( zhǐ)有咱们中国的风景才有( yǒu)

看TV讯 神话史诗电影( yǐng)《封神第一部》发布美术场( chǎng)景特辑,聚焦影片外景选( xuǎn)取和棚内置景的幕后故( gù)事。同期还曝光了九张场( chǎng)景海报。 电影《封神第一部( bù)》揭开了《封神三部曲》的序( xù)幕,故事关于商王殷寿与( yǔ)狐妖妲己勾结,暴

37.61K
2周前

看TV明星:古偶惨败,“俺”学至上( shàng)

披着双强的皮,实则是傻( shǎ)白甜的恋爱剧。新鲜的设( shè)定怎么也失灵了。两位演( yǎn)员的演技也经常不在线( xiàn)。

34.79K
6天前

“成为导演之前——文字与影( yǐng)像之间”青葱计划上海主( zhǔ)题影展圆满结束

看TV讯中国电影导演( yǎn)协会 (China Film Directors Guild,简称CFDG)携手香奈儿合( hé)作设立“成为导演之前”特( tè)别项目,支持中国青年电( diàn)影导演扶持计划(青葱计( jì)划),并于2022年12

44.47K
2周前

《黄雀在后!》曝光终极预告( gào),揭开垫脚石式父母之殇( shāng)

看TV讯 日前,电影《黄雀( què)在后!》释出“另一种人生”终( zhōng)极预告及终极海报。预告( gào)以小镇天才少年郑晓童( tóng)的视角展开,一场意外导( dǎo)致其钢琴梦碎,底层父母( mǔ)面对巨大的金钱、地位落( luò)差,无力成为避风港,甘愿( yuàn)做垫脚石牺牲,

17.37K
2周前

《饥饿游戏》前传确认引进( jìn)内地 档期待定

看TV讯 《饥饿游戏》系列( liè)前传电影《饥饿游戏:鸣鸟( niǎo)与蛇之歌》确认引进中国( guó)内地,档期待定。北美11月17日( rì)上映。 影片由瑞秋·泽格勒( lēi)、汤姆·布莱斯等主演,弗朗( lǎng)西斯·劳伦斯回归执导,迈( mài)克尔·莱斯利(《刺客

42.11K
2周前

Berlinale2025首映场:生活是诗还是电( diàn)影?

(首发于「陀螺电影」) 大自然( rán)对我们说了什么?东华在( zài)寺庙谈论我们如何用身( shēn)体感受世界,起身离开,摄( shè)影机呈现了一个向上抬( tái)起的动作,我们看着让东( dōng)华在后文想起埋葬岳父( fù)的母亲的那棵树,画面在( zài)这停下若干秒,树叶之间( jiān)透过阳光。洪常秀好像在( zài)对我们发出邀请:就像重( zhòng)复两次“我不...

86.88K
2周前

电影《风水轮流转》6月7日爱( ài)奇艺上线,崔志佳豪赌运( yùn)气爆笑开播!

由上海茗山隐士影视文( wén)化传媒集团有限公司、浙( zhè)江火苗影视文化有限公( gōng)司、助人为乐控股(北京)有( yǒu)限公司、浙江龙珠影视文( wén)化有限公司出品,苏州三( sān)益文化传媒有限公司、浙( zhè)江金海派文化发展有限( xiàn)公司联合出品的荒

96.01K
2周前